In their mystic rituals, in monotone labour and in the rearing of their children the Chaos Dwarfs of Zharr Naggrund, and all its domains, sing. Be they doomladen dirges, rattling recitations of religious script or just simple work verses, songs are part of Dawi Zharr culture just as they are for other races.
The nature of Chaos Dwarf songs reflects their cruel nature and experiences in life. These are not songs about innocent joy, and very rarely about romantic love or homesickness. Instead they bear the grim worldview of the songs' composers and everyday singers.
These songs have very often a moral aim which would appear twisted if not sickening to many other peoples in the Warhammer world, as is the case with all lore of Chaos Dwarf folk culture. These are stanzas of death and slavery, of exploitation and heinous ritual. They record in the public memory of Chaos Dwarfs the dramatic high points in their long history filled with strife, suffering and ruthless drive for dominance and power.
Often these songs are partially or wholly undecipherable to outside listeners, even if they were to understand the Dawi Zharr language. So embedded are Chaos Dwarf life and thinking in mysticism that most cultural expressions through song would be difficult to interpret at best should any translator and scholar wish to do so.
Instead it is usually through the formative world of Chaos Dwarf childhood that their culture's values and expectations can be uncoded via stories and songs.
Chaos Dwarf children, just like most other children in the Warhammer world, live like "little adults" to quickly mature and get prepared for their often predestined adult life. Many of the songs and stories which surround the youngest are complicated adult works shared by all in family or clan gatherings. This is fundamentally no different from other races' way of life.
Even so, there exists a flaura of Chaos Dwarf children songs, who are relatively simple and generally taught to the youngest by their mothers. These are rhyme songs which, if translated, can be understood well by outside observers, since they should be intelligible to Dawi Zharr children in relatively early development.
Some parts of Chaos Dwarf children songs may be advanced enough to be lost on Human children's ears. This is because both western Dwarfs and eastern Chaos Dwarfs are intelligent races with lives of longevity and slow maturing periods. As such, many Dwarf beardlings possess more knowledge and skill in the crafts than most Human elders.
Even small Dwarf children are often able to grasp concepts which would be complicated for young Human adults. Chaos Dwarfs are no different in this regard from their distant kin. The contrast with Dwarf verses lies instead in the songs' content.
One have to understand that Chaos Dwarf songs at an early age helps instill a moral sense where greed, domination, contempt for others and complete submission to hierarchy all vie with each other and combine to create the merciless character of the Chaos Dwarf people and their monstrous empire.
These are songs of bloodshed and hardship, of carnage and conquest, of failure and damnation. They are glimpses into the psyche of these enigmatic slavers and engineers. And they are not for those weak of guts and heart.
These are the songs of the Blacksmiths of Chaos.
Chaos Dwarf Melodies & Sound Impressions